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Urban design lesson for Vancouver: Life in full colour blooms in car-free streets

12/10/2016

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The steps of the Teatro Juarez transform by day and night for the benefit of the walking public. (Carlyn Yandle photo)
A month after I landed in Guanajuato, Mexico it finally dawned on me: there are no traffic lights in this bustling city. You'd think that would be obvious from the outset but those kinds of details are not readily apparent when you're gawking at a guy hoofing it down the narrow city streets with a side of raw beef on his shoulders, or a teenage girl unfurling her frothy pink ballgown from a truck parked at the end of the pedestrian zone.
Not only are there no traffic lights, there are no pedestrian crossing signals or any restrictions on the walking public. The downtown is teeming with people but with such narrow, winding vehicle thoroughfares, topas (speed bumps) and gloriettas (large versions of Vancouver's "traffic-calming circles") you learn quickly to go with the slow flow. Pedestrians zig-zag with ease across streets, almost brushing the rear of a slow-passing car so the vehicle behind doesn't have to shift down to super-slow. This is not a town to venture into if you're a driver in a hurry. Cruising speed is such that you could start a conversation with people on the sidewalk. Road rage is inconceivable.

So how are all the goods and services delivered? Most of that happens under the plazas and winding streets in old floodwater-diverting tunnels. Parking lots are also mostly situated under or outside the city centre and on-street parking is a rarity. There are no filthy downtown back alleys dedicated to dumpsters and delivery trucks. No urban blight of parked cars flanking both sides of every street.
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A narrow 'calle' is transformed into a weekend-long wine-tasting venue. (Carlyn Yandle photo)

As a result, the major calles (streets) are in constant transformation, a jumble of bakeries, cafes and newsstands in the morning, market stalls in the afternoon, and music-filled evenings and special events like a recent wine-tasting weekend along a red carpet through to the historical centre. The previous weekend saw a chalk-mural draw-in where local art students were down on their knees, working their ideas into the surface near that morning's bike race finish line.

These are the possibilities for streets where pedestrians come first.
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Art students take to the (permanent) car-free streets. (Carlyn Yandle and photo)
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Narrow spaces invite humane activity. (Carlyn Yandle photo)
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Street musicians head down to the outdoor restaurants. (Carlyn Yandle photo)
I fail to see the downside in squeezing out cars in heavily populated areas. In contrast, pricey Vancouver's sketchy, rat-infested downtown alleys and acres of meter parking look like a colossal waste of potential commercial and cultural space. How impossible would it be to conceal dumpsters in locked building bays and restrict garbage pickup to, say, 2 a.m., and then entice tiendas (street vendors) and the mom-and-pop shops that have been all but banished to the fringes due to high rents?

The more I wander and wade through all this colourful human activity the more I resent the privileged position of the private motor vehicle in North American urban "planning." Cities in their relative infancy like Vancouver could learn a lot from organic urban centres like Guanajuato that came into their own before there were cars.

​My hometown is already teetering on the edge of becoming a boring luxury resort city; a bold directive towards people and away from the private motor vehicle could pull us back from that precipice
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A religious procession is part of the passing cultural parade. (Carlyn Yandle photo)
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Vehicle thoroughfares and parking areas are mostly on the fringes and below the city. (Carlyn Yandle photo)
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Packing it all in for the Toronto design fest

12/5/2014

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It's getting close to a decade since I packed it all in: my needles and wool, my sewing machine and fabrics, my mid-level-management career. There was more to explore.

I've been mixing it up with a wide range of materials (and makers) ever since but even I'm surprised to find that my latest tools of choice for bushwacking new routes of making are the ol' crochet hooks, knitting needles, rug hooks and embroidery needles.

The line on the paper has always been too limiting to me; I need to pick up that line, play with it in my hands, turn it into area, then volume. I remain entranced by the possibilities of connecting something created by a silkworm or an industrial manufacturing plant to a mathematical model or a wearable with uncomfortable connotations.

The beauty of fiber is in its physical and metaphorical ability to connect the Art side to the Design side (not to mention the science side), weaving the two together until it's clear that playing with ideas cannot be put into separate boxes.
Picture'Spore' (2011) serves as promo visual for the Vancouver design group.
Except if we're talking shipping boxes, for the Toronto Design Offsite (TO DO) Festival next month.

A few object-experiments from my ongoing Fuzzy Logic series will be packed in there, as part of the Vancouver group of makers, selected by the Dear Human creative studio.

It's all part of the ‘Outside the Box’ exhibits featuring works from three selected Canadian cities — Montreal, Calgary and Vancouver — and five from the U.S.: New York, Detroit, Chicago, Los Angeles and Seattle.

It's a fine way to mine local design ideas and visions through an unexpected selection of objects that are shared in various locations via specific-sized shipping boxes.

The Vancouver contribution includes nine individuals and teams who live, design and make in the greater Vancouver area. The connecting thread is a pursuit of a design practice through material exploration, according to Dear Human. "Whether through common applications of unusual materials or transcending common materials through unusual applications, exploration is evident in each of the included objects." 

Rounding out the Vancouver Outside the Box continent are: Cathy Terepocki, Dahlhaus, Dina Gonzalez Mascaro, Hinterland Designs, Laura McKibbon, Rachael Ashe, and Studio Bup.

PicturePlaying with fiber optics (Photo by Carlyn Yandle)
Vancouver Outside the Box will take over the windows at 1082 Queen Street West, Toronto, from January 19-25, 2015.

TO DO is an annual city-wide not-for-profit week-long festival that celebrates and showcases the nation's design scene, providing exposure and cross-pollination of ideas and techniques. There are too many exhibits, installations, talks, parties and films to list here, so check out the full (and growing) schedule here as well as the fun promo video.

PictureDetail of Fiber Optics (Photo by Carlyn Yandle)




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