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Tips for tired women

11/25/2024

 
From rolling your eyes to sinking in sawdust
​

Like a dream it was: A half-a-million-strong pink procession on Washington, a sea of singing, shouting, laughing people, surging forward in the shared pursuit of basic human rights, in their hometowns and around the world. There was hope in the organizing, joy in the making. The resistance was too fabulous to be ignored.
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Memorializing the moment: Embroidered cartoon by Bob Krieger and Carlyn Yandle, 2017
Things are different in Trump 2.0. Social justice advocacy groups are stunned, fractured, unorganized. Those who led the last charge are feeling defeated and tired.

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Screengrab of story in The New York Times
I’m running from the worst that this state of affairs can bring on: apathy. I’m so busy busy busy painting my studio floor, constructing a queen-sized quilt here, reorganizing rooms there, making so many plans! No space in this head for intrusive thoughts of how this is all going to shake out under the trifecta power of narcissistic, vengeful billionaires and Project 2025.
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It is tiring work, all this busyness, but on the upside I get things done and sleep like a log. I realize it’s not sustainable. Luckily for me there’s a handy Globe Mini Mag for that.
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Searching for answers from one of my Great Aunt Ivy’s many Mini Mags and Dell Purse Books.
After my Great Aunt Ivy died at a few months’ shy of 105 (and in her right mind until the end), I found some of her Mini Mags and Dell Purse Books. You see, kids, back in the 1900s, before checking socials or scrolling TikTok was a way to pass the time, there were these ubiquitous inspiration booklets, pumped out of publishing houses in New York City and Boca Raton. Women bought them on impulse at the supermarket or drugstore checkout, to be pulled out of a purse at some kind of waiting moment. For Ivy that would be in a waiting room or while waiting for her bus or on the bus waiting for her bus stop. She and millions of others would have found inspiration and tips from any one of the hundreds of titles, from Instant Beauty Tricks to Household Hints to 1970 Financial Horoscope to Fabulous Low-Calorie Desserts.

Ivy was 88 when Why Women Are So Tired (Globe Mini Mag #287, published 1996) caught her eye. She was retired from her job as a longtime companion for a rich lady but was still taking the bus here and there and walking down to the Seniors Centre to volunteer hand massages which was maybe tiring and why she was compelled to take the quiz at the start of this booklet:

Quiz: How Tired Are You? Score 20 statements from 0 (never true) to 3 (usually true)
“1. My eyes are strained and tired.” Beside this statement there is a small, faint “3” written in pen. 
“2. My legs are tired.” Another, wobblier “3.”
“3. My attention wanders easily.” This is left blank, which could be your answer right there. Ivy went no further on the quiz, maybe because the hairdresser was ready to see her now, or she had reached her bus stop.
Having abandoned the How Tired Are You quiz she would have missed out on the score that determines her level of tiredness and there’s no hint as to whether she skipped ahead to helpful tips like, Eat a banana (Page 16) or “Sleeping Tip: 1. Eye-Roll.” (Page 60). “Take a Nap” is listed as a “preferred method of stress management of high-powered luminaries of all professions, including (long list of men).” Some other sleeping tips include “Try sleeping with your head at the foot of the bed.” 

I reflexively eye-roll and feel energized already.

She must have picked up a tip or two, because this four-foot-eight, what they used to call ‘spinster’ was indefatigable and freakishly strong. (I once humoured her on this hand-massage business she mentioned and stuck out mine for a demo, wincing at her Kung Fu grip.)

More tips: “Say to yourself: ‘My eyes are twinkling and sparkling.’” (Page 34) and: “Rub It Away” (Page 37): “All you really need for a rubdown is a massage book, special sponges and hot oils, a flat surface, and your own two hands.” Or “Take an Enzyme Bath… a steaming elixir of sawdust, rice bran and enzyme powder…. No one disagrees that the bather feels great after soaking neck-deep in a tub of the stuff.” (Many intrusive thoughts here of rubbing and sawdust and hot oils and special sponges and my Great Aunt’s penetrating hands. Do those drapes need ironing?)

Page 45: Get a cordless phone. “Imagine being able to feed the dog, fold the laundry, iron — and talk on the phone at the same time.” (Alternative tip title: Prepare now for your 21st-Century state of permanent distraction.)
Also, “Memo pads: Lots of them — everywhere. In your purse, in your car and even in your bathroom. Use a spiral-bound type for your purse, and sticky notepads for leaving ‘can’t miss’ messages to yourself and others.”

This is very much not helping. Maybe I need to eat a banana.

“Take chances. The risks can be small — like… getting embroiled in a political debate.” Oh, those lazy-hazy Clinton-era days of this book’s publishing, when First Lady Hillary made that historical “human rights are women’s rights and women’s rights are human rights” speech in Beijing and her husband signed into law Biden’s bill for a 10-year assault weapons ban. Judging by my trip to the US over this election, any audible political discussion is not at all considered a small risk.
​
Final tip for this space — and I’m paraphrasing here — if the problem is a lack of stimulation your mind is on the slippery slope toward full hibernation. Go get a new haircut.
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Major score: A Dell Purse Book #4080, published 1969
Luckily Great Aunt Ivy had a purse book for “The Busy Beauty.”

When going back is good

11/23/2024

 
Past failures are invaluable teaching tools
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This is my picking-up-the-pieces post, which is literally what I’m doing these days (and late nights).

With the outlook looking very dark indeed I turned to my colourful stash of fabrics that I keep at eye level in a wine crate on the wall. The ‘BACK’ and ‘NEXT’ sign plates — evoking the buttons on the bottom of every online form — are courtesy of an artist friend, so I texted him for his opinion on how to proceed in these times of need:
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Turns out things are going back politically, now that the majority of Americans have voted in villains to run the show. I’m going back too, but only to revisit those failures for the lessons they hold for moving forward.
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Exhibit A: Here I spent a good portion of one day heating a tapestry needle with a Bic lighter and poking it through a piece of stiff synthetic paper. Over and over. I loved the subtractive mark-making (also known as ‘burning holes’) and the increase in density that culminated in a large negative space. I was working as an artist-research assistant with astrophysicists and other big brains at the time so I think I was trying to get a grip on the concept of black holes or negative energy (not so much). Learning outcome: Breathing in melting synthetic paper fumes creates a whopper of a headache. Not an indoor sport.
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Exhibit A
My father was a lifelong painter of mostly landscapes but I knew he was losing his mind when he looked at the last work-in-progress on his easel and declared, “Well I don’t know what’s going on here!” This is how I feel when I look at Exhibit B: A four-panel collage painting of lacy construction-crane patterns topped with bits of Tyvek building wrap and strips of acrylic skins. Learning outcome: I need to add a letter to my will requesting that all weird artwork be destroyed upon my demise.
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Exhibit B
Moving on to Exhibit C: some jeans with all fabric removed and re-configured as a net or scaffolding. Maybe a more clever artist could write a profound statement about this that could land it in an Important Art Exhibit, perhaps something about togetherness or workers united, or maybe the hollowing out of union labour. It said nothing to me but the materials and technique were eventually incorporated into two distinct large-scale artworks. Learning outcome: Even dead-end projects contain something to build on.
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Exhibit C
Exhibit D is a collection of coffee-bean sacks attached to a wall with sewing pins. I was exploring the sculptural possibilities of burlap, the shadow effects and warm tones, the varying weaves and the fonts of the silk-screened labels. But tacking bunched-up bags wasn’t enough.
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Exhibit D
I doubled down, stitching one bag after another to a rusty concrete-forming tie, then pulling out most of the weft from the weave, macramé-ing them, then coating them with ready-use concrete mix. Meh. I knotted up the deconstructed sacks following designs of specific architecture, including a cathedral. I lashed the steel ties together and suspended the lot of them in an overly ambitious arrangement that called for a dozen more of these time-sucking labours from hell. I was stuck in that encrusted, fibrous rabbit hole for most of 2021. Learning outcome: Going bigger isn’t the answer when it’s not working and it’s okay to drop the project despite the large investment in time. Also, turns out my lungs don’t react well to the burlap-fibre dust bunnies floating around the studio.
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Detail of concretized burlap macramé experiments
I finally received a sign to restart a couple of weeks ago when another artist gave me a collection of silky striped fabric swatches. They reminded me of some finicky, slippery satin quilt blocks I started a decade ago. I pulled out the fraying, wonky squares that had defeated me but decided to work with them. This will be a queen-sized memory quilt of my perfectly imperfect past. Learning outcome: Failures may need time for new energy, ideas and skill to arrive. This is that time.
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Work in progress: Piecing together an abandoned project with new energy.

On radical self-care

11/20/2024

 
Making ourselves whole through making
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First there is shock. I saw it in a coffee shop in a small US city the morning Trump was elected — again. The place was full but hushed. “Are you okay?”, one customer after another whispered to the three female baristas. Nods. Shrugs. Back to work.

Another shock hit the next day, when a friend confirmed our worst fears: the cancer had spread, nothing more for it. Silence, then tears all around.

First the shock, then the rage. Why? Why now? Why them? Why us? We cast around for blame. Eventually we arrive at the only thing for it: regrouping, starting from the self and working out from there.

My no-nonsense inner grandlady tells me to Get a hold of yourself, advice I take in the most loving way. I hold myself up by burrowing in for a nap, taking a walk wherever the trees are, sinking into a hot bath. There is a kind of exquisiteness during this inward time of radical self-care. This engagement with the physical world is a humane activity that breaks the paralysis, the start of ‘getting it together’ or gathering oneself.

Gathering is also a trauma response to life-shattering events (look at hoarding). The urge to collect the shards and scraps is an attempt to make ourselves whole. I find solace in pulling together material scraps of handwork by other makers and other traditions, not to recreate the past but to consider new possibilities, new forms. Puzzling over textures and techniques is quiet, contemplative work. There is no pre-planning, no goal-setting to be achieved; I’m simply forging connections, intent on finding a fresh beauty in the rejected and damaged remains, one stitch at a time in a sort of personal/political practice.

After we collect ourselves we collect up with others because we humans are pack animals. We share our grief because we know that that emotion is a monster not to be ignored. Even the kitties or pups instinctively know when the moment calls for cozying up to their people.
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Some of us share our art because we have to. We brew up a mug of Bengal Spice tea, clear a space on the table heaped with scraps of fabric, unravelling lace and stained embroidered linens, plug in the laptop and open an empty screen. And we reach out.
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Donated hand-stitched linens and lace offer a further layer of meaning to an expanded painting practice (detail). (Carlyn Yandle)

An iron will is needed now

11/4/2024

 
Working out those wrinkles is so satisfyingIf you’re uselessly wringing your hands right about now, pump some iron.
Hear me out: Ironing is useful, which, in the few days left before the US election, is the opposite position of those of us watching who can’t vote or compel Americans to vote. With democracy itself teetering on the brink it’s best to stop flitting about, pants on fire, and instead grab onto something stable and practical. Just maybe don’t do it in front of the latest broadcast of any of the mega-rich misogynists’ rallying cries; the TV screen is no match to an overhand launch of an iron.
If you’re rolling your eyes at this suggestion you may still be triggered by the iron as symbol of just more unpaid women’s housework, promoted through those post-war images of an ecstatic housewife standing before the only board she has access to. If you view her hubby’s freshly starched white shirt as his day pass out of one of those little boxes made of ticky-tacky, you are still afflicted.
I get it; letting go of the iron-as-shackles connection doesn’t come easy when you are born into that milieu. My cousin recently shared a photo of the two of us, as young as six, standing knock-kneed in skirts and knee-socks at a kid-sized ironing board, playing ironing yet there was little evidence of ironing activity in my own childhood home. This shit was insidious. 
Inflation was hitting hard those days, and the petrochemical industry found an opportunity: pushing polyester as the time-saver for women who by choice or necessity entered the workforce. When my grandmother found herself single in her 40s she traded her home-sewn floral cotton dresses for Sears Fortrel mix ’n’ match coordinates, got her teacher’s certificate and moved to a remote town for work. My McDonald’s uniform was an itchy kelly-green combo of stretch pants and striped zip-up collared top.
Skip forward a few decades and we’re barely treading water in the synthetic polymersea of fast-fashion clothing that fuels microplastic pollution.

Ironing has no role in this wrinkle-free, race-to-the-bottom system. It’s part of the repairing-is-caring continuum toward a circular economy of natural-fibre clothing and toward our own well-being. It relaxes both rumpled, creased woven cottons and linens and our fine selves. You can’t doom-scroll when you’re gliding across a soft surface, settling wrinkles with puffs of steam. Ahhhhhh. 
Quilters know all about the rewards of ironing following hours of wrestling bits of fabric into new arrangements with a temperamental sewing machine. Even the wonkiest quilt blocks in that stack “will all press out.” Ohhhmmm.
The time spent ironing favourite linens and natural-fibre clothing is an investment in those pieces, a time for personal reflection on their making and their makers. Grandma Flo may have embraced her wash-and-wear polyester pieces but she never abandoned ironing her quality dressy things or her fine cutwork table linens hand-stitched by her sisters. When it was my turn to have her over for tea she would tsk-tsk at my creased tablecloth. That it was thrifted was no excuse; all linens deserved pressing. 
A decade after her death I created a part-figurative alterpiece anchored by a Teflon iron plate. The assemblage of found objects reflects her strength in the face of tumultuous change and the little pleasures of her everyday like teatimes, decoration and costume jewelry.
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Two views of “Teflon Flo”: Found lamp base, iron plate, jelly mould, tea strainer, chandelier crystals (Carlyn Yandle)
At this writing, it is Dia de los Muertos and Teflon Flo is front and centre and shining its light. A few feet away from this ofrenda is a deep scorch mark in the circa-1898 wood floor that, judging by its diminutive footprint, dates back decades. I take it as a warning from a past homemaker — I’ve conflated her with my grandmother — to unplug the iron or it will all burn down. Which I am not thinking will happen if Trump is elected. Not thinking about that at all.
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A warning from decades past: Don’t let it all burn down (Carlyn Yandle)

Dancing on the edge

11/3/2024

 
This craftiest time of year is laced with pain
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When you’ve recently lost a loved one, certain annual occasions are rough: Christmas, birthdays, anniversaries. For me, it’s Halloween. That’s when my brother was a full-steam-ahead creative force and crafty collaborator.
Right about now I’m missing his super-charged energy. I need the distraction from the dead-heat US election campaign. Whenever I’m in near fetal position watching the news of the latest misogynist spew, I wish he would walk through the front door and shatter that chatter with his usual greeting, Hey. What’s goin’ on?

My brother has been my biggest backer, my major motivator. His material explorations, unlike my mincing attempts, were bold. He took keen notice of my flirtations with trendy crafty products over the years and turned them up to 11, sponge-painting, glue-gunning, Mod-Podging and needle-felting the ridiculous and the outsized. One Halloween, in the days (weeks?) before, he and his two sons papier-maché’d two gigantic skulls that he illuminated and suspended at their front door to create all the charm of Colonel Kurtz’ camp in Apocalypse Now. He did it for the kids — all the kids.

He designed craft beer labels and websites, hand-built playhouses and kitchen cabinetry from scratch and baked up a scale-model gingerbread house of his own house. He decorated birthday cakes with panache and had a penchant for dinner plating. His Instagram account is (still) full of irreverent, self-deprecating and appreciative posts of various craftiness.
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Nothing I made was too weird for his liking. Sometimes our unsolicited viewpoints clashed, which I liked because there was good takeaway there. He wasn’t shy about serving up some meaty feedback about my work-in-progress but scoffed at the notion that he was an artist himself. He often ran his well-rendered hand-drawn or Illustrator sketches by me. I would tell him that they were overly complex. He would give me the screw-you look and eventually edit his design.
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My brother never saw himself as an artist.
Two years ago, as summer turned to Fall he was couch-bound and riding waves of excruciating pain. I would text him stoopid videos of us synchro-dancing at a house party or bloopers from our teenage nephews’ film projects.

A couple of days before that Halloween my brother was on a fentanyl drip in the palliative care ward when the younger teenage son showed up for his dad’s creative input, in an almost-finished Semi-Pro costume. He spent the evening bedside, drawing the logo with felt pens on the singlet fashioned from an old T-shirt. Meanwhile our niece, 12, had asked for my assistance in transforming her into a strip of bacon. I received the required hand-rendering of her idea and figured it out. She cut and sewed up red and brown strips of felt to a body-height casing of white felt. It was as hasty as her drawing. I took a photo and sent it to my brother.

The day before Halloween he critiqued it. “Needs some ‘distressed’ coloring around the edges,” he texted from his hospital bed. “Maybe some of that bacon scent spray that I always see in dollar stores… what about a sash or banner that says ‘Maple Leaf’ on it?” But basic bacon was all I could muster and when I forwarded him our sister’s Halloween-night reveal photo of three girls in character of butcher, pig and bacon he texted back: “You nailed it!” Liar. But I lived for his praise.

Three days before he left this world on Christmas Day I texted him a video of our crotch-rock front-porch lip-sync from Halloween the year before.

He replied with a heart emoji.
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Leader of the pack
    Cross-posted at
    carlynyandle.substack.com

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