Part of my self-acceptance is stepping out of the ‘should-storm’ of art-making and doing what I love to do with my hands: hunting down materials that have already had their first use and playing up their inherent qualities through knotting, weaving, tying, stitching and binding. I want to work repetitively, easily, without technological assistance and without haste or waste. And in doing so I’m carving out space and time to calm down, reflect and to think deeper — more crucial as the distractions threaten to take over.
Through this making I make some hay over the established boundaries between the privileged art world and real life, between craft and sculpture, between tactile and political action.
Scaffolds is composed of found spun-polyester building wrap, tarp and nylon cord over an armature of waste construction materials including caution tape, PVC piping, rebar, conduit, baling wire, and junction boxes, all attached through simple knots.
Special thanks goes to the construction workers who delivered these materials from their many jobsites to my studio for my useless work with many functions.