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How not to pass out While Painting

9/6/2013

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I could never understand why the armies of construction workers in this town would head for the Wendy’s or Burger King over a nutritious, fresh soup and salad next door. That was before I started spending long days under a respirator spraypainting in a cavern of concrete. When you’re involved in continuous sweaty, labourious activity, you’re not about to squander your one meal break waiting around for little bits of things to be arranged on a plate. This is no time to pick your way through a Whole Foods buffet bar, then line up at the cashier. You need to mainline those big fatty, sugary, caffeinated calories. Now.
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A daunting, dark space takes on new life as a geometric colour field.
PictureMy purple man's business shirt has it all covered.
This is just one of the ah-ha moments that came to me during Phase I of the Parkade Painting project. Another big learning moment: carbon dioxide can wreak havoc with the logic centre of the brain, which in retrospect explains a lot of stoopid mistakes I made in the process of turning a wide expanse of concrete into a geometric colour field, like forgetting pattern choices and mixing up colours. Turns out that carbon dioxide builds up in the mask over time so you — and by you I mean me here — have to come up for real, non-fumey air at least once an hour.  I should have solicited advice from my encaustic-painting friends on this one before I got to the point where I was staggering around, forgetting the whole purpose of spending these last summery days in carcinogenic clouds of propellants and other nasty chemicals I can’t pronounce.

I like the risk of taking on a daunting project of a scale not normally tackled by a five-foot-two female but I’m risk-averse to exposing myself to a toxic environment so except for the no-breaks slip-up, I’m serious about suiting up for the task at hand. In this case that means protecting the largest organ — the skin — from exposure. Here, the Smart Girl’s Guide to Spraypainting in the Summertime:

1. Cover it all. If you’re of my stature you will search but never find Carhartt coveralls that fit your female frame, and Home Depot’s one-size-fits-all disposable painting jumpsuit just doesn’t have the majority of the people who do home painting (women) in mind. You will have to improvise. I wear a (particular) man’s business shirt over a workout top and loose cotton pants. The cuffs and top-buttoned collar has it covered, plus the breast pocket is perfect for storing gloves. All this goes over light cotton pants and runners.

PictureOne day of painting shows particulate trapped in a cartridge filter.

2. Speaking of gloves, I like the snug, waterproof Watson gardening gloves, because you won’t find painting gloves in your size at Home Depot. And disposable gloves and painter's tape are a bad mix.

3. Respirator and Safety glasses. These should be viewed as a two-part must-have unit. Silly dust masks are for chumps. We like our brain cells. If you can smell the chemicals through the mask, it’s not working, but that’s not to stay that the cartridge is not done. It’s hard to predict when a cartridge should be replaced but I switch out the filter pads as soon as they look less than pristine and change the cartridges as I'm psyching myself up to embark on one of these harebrained art schemes, which is about once a year.

4. Head scarf. I tie it snug and low around the forehead so it meets the top of my glasses. Spraypainted hair is nasty.

Now onto Phase II....

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Only artist-quality spraypaint can handle the pits and scars of industrial concrete walls.
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More strange bedfellows: quilts and graffiti

8/16/2013

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This is my new favourite colour box, a delicious array of cans of Montana spraypaint. All packed up to take to my largest quilt project to date.

Now I finally get my chance to do what I've been dreaming of for years:  blanketing a big, blank white concrete wall with a colourful quilt of triangles — with permission and for the long term, for a change.  (My previous secret adventures in unauthorized craft-tagging in the public sphere were painted out within weeks.)

How a quilt will read when spraypainted on a concrete wall I have no idea. I've googled images using 'quilt' and 'graffiti' and 'mural' and haven't found any spraypainted quilts — at least, none that were created specifically with quilts in mind.

PictureQuilts composed of freeform blocks and vibrant colours inspire.
My main challenge, besides enduring working under a respirator for about the same number of hours it takes me to make a queen-sized quilt, is ensuring that the field of bright colours and simple geometry doesn't scream 'daycare centre. ' The colour and pattern choices make all the difference between creating a one-dimensional jumble of happy triangles with what I'm really trying to achieve here: a three-dimensional appearance and a vibrating, discordant colourway, some element of surprise, a reason for the eye to take a lingering second look.

I'll get the 'why' part overwith here: This media mash-up of the visual of tactile, comforting quilts and the harsh process of spraypainting concrete infrastructure stems from my compulsion to visually link the personal with the public, the domestic with the industrial, the feminine with the masculine. Enough said.

PictureOne risk in translating quilts into spraypaint is losing textural and pattern details.
But the excitement (mixed with a little fear) about this undertaking is in the risk involved. 

Unlike putting together a quilt, which is pretty much pre-planned (all the fun is in choosing the colour and pattern and the rest is pretty much mechanical, which is why so many quilts are started but abandoned), the spraypaint process is additive and more open-ended. It could all go sideways. Or it could emerge as something entirely unexpected and new. 

PictureOne of several of my early painting sketches for the project.
Hopefully this will turn out to be the best of both distinct worlds: the pleasing geometry and colour-play of quilts and all their cozy references mixed with the hard-surface, large-scale properties of murals made by spraypaint-wielding graffiti artists.

I'm in the thick of it now, relying heavily on my experience making complex quilts to reduce the intimidating scale of the job. It's all about focusing in, taking it on one block at a time, trying not to think about the work ahead. Eating that elephant one bite at a time.

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Day 1: Facing the fear of the unknown, in full respirator.
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