carlyn yandle
  • about
  • crafted objects
  • public art
  • painting
  • the creative process
  • exhibitions
  • contact

A new appreciation for the spin-off

9/26/2013

Comments

 
Every story holds the germ of another story. The value of the spin-off , drilled into me back in journalism school, became my mantra because at the time producing reporting assignments felt like the same all-encompassing ordeal as delivering a baby. Except I had to deliver every week.

It took me years of newsmares (that’s when you wake up in the middle of the night in a pool of your own sweat because you dreamed tomorrow’s newspaper hit the street with great blank holes where your stories should have run) to trust that every story is a building block towards a larger understanding. Reporting is not an easy gig but it all became a little more manageable once I got past a lot of rookie mistakes and developed a growing group of trusted and informed contacts.  One issue raises another, so the fear of coming up with nothing to write about diminished over time and before I realized it I had developed a fairly comprehensive understanding of all the issues in my area of reporting. This is why it’s such a crying shame to see seasoned beat reporters disappear from the fold (so to speak) in the freelance race to the bottom.  But I digress.

These days I've been seeing some parallels with becoming a competent, informed reporter and building an art practice. I’m just about over the real-world shock of trying to make from what I’ve learned in art school, which produces about the same level of anxiety I felt after graduating from journalism school way back when. Extending that parallel, I'm square in the equivalent of the junior-woodchuck reporter stage, making a lot of rookie mistakes, fumbling my way toward a new sort of understanding. (Last week’s rookie mistake: layering a photograph with pouring medium, only to watch all the vivid colours run and pool into a swamp palette. Two weeks ago it was the discovery that a nearly-full can of yellow spraypaint was just high enough in my toolbox that the closed lid depressed its trigger, covering the entire contents in a gummy yellow mess.)
Picture
 But it’s not just the ‘happy accidents’ that lead to spin-offs but the off-shoot ideas that come during one project that leads to the next. I’m starting to see that one thing leads to another and at some point the rookie will become the veteran, fluent in the language, until I will be able to look back and see that there was some method in all this madness.

Picture
Exhibit A: A screen-shot of the latest iPhoto import shows detailed photos taken of my recently completed Parkade Quilt.

Comments

From a five-year-old's paintbrush to my soul

9/20/2013

Comments

 
Picture
What movie first rocked your world?, someone asked during a recent dinner with friends. Easy: 2001: A Space Odyssey, said one. Looking for Mr. Goodbar, said another, clearly remembering her fear.

Mine was The Wizard of Oz. Never mind the munchkins and the flying monkeys; I was captivated by the black-and-white horror of the dustbowl twister, the gleaming-gold yellow brick road, the brilliant glassy cluster on the horizon that was the first glimpse of Emerald City.

So when my nearly-six nephew, also a bit of an obsessive Wizard of Oz movie fan, showed me his latest paintings, all I could think of is: I feel you.

I look at the thick column of furious grey strokes going in all directions and immediately zone into his own fearful recollections of that part in the movie as he attacked the paper. That ability to connect the intensity of feeling by the maker to the viewer is the basis of successful art. Wow, I said. I can really feel that. 

Picture
I was thinking how great it would be to feel the twister myself, using ink on hand-pressed paper and maybe actual dust, while he trotted back to the kitchen and retrieved Yellow Brick Road. The field was filled entirely with almost mechanical vertical strokes in different shades of orange, yellow and gold, with intersecting strokes to form a grid that ran off the paper, suggesting an endlessness. 

Wow, I said again, thinking already how it might look actual road-size, using rollers on stretched canvas.

Back he went, returning with Emerald City, and by then I knew this kid was really onto something. Unlike his drawings, which are these days more narratives involving figures and recalled landscapes, or — my current favourite: a bird's eye view of a baseball game — this series was expressed feeling-first. Not so much on telling the story but recalling the feeling, through colour and stroke. 

Picture
Kids have so much to tell us about what not to do when staring at a blank canvas. Maybe not so much with the analysis, the second-guessing, the pre-planning, the systemization. 

Just attack. Jump right in. Look at each stroke as it's going down and  do not bother yourself with committing to spending more than a few minutes on it. You may not feel the urge to let a puppet take over the paintbrush or let your inner Scurvy Pirate out for a song but it's good to wrap it all up in play. Like another friend, a modest but gifted artist likes to say, "I'm just playing."

My nephew's paintings remind me not to be so precious about the results. It's about the making, not the amassing. Only the adults care about keeping them.

I can see some auntie-nephew collaborations down the yellow brick road.

Picture
American illustrator and graphic artist Mica Angela Hendricks writes about the world that opened up for her with she began collaborating with her four-year-old.

Her blog updates her creative process that is challenged by her daughter with her own ideas. 





Comments

Getting ready to scream 'Woo!' with the rest of you

9/13/2013

Comments

 
You can thank Europeans’ dwindling Christian faith for a sensory bombardment that's taking over Europe. The poor attendance at all the churches and cathedrals has been a boon to a new totally immersive art-architecture experience of sound and image, artist-architect Francois Wunschel said in a lecture at Emily Carr University Wednesday night, while fellow Frenchman musician Fernando Favier manipulated the audio. 
PictureFrom left: Pierre Schneider, in front of a scaffolding support; Fernando Favier and Francois Wunschel.
All these old, underused stone edifices became opportunities to develop new forms of public engagement, said Wunschel. Pierre Schneider, his colleague at the Paris-based 1024 Architecture firm, shared with the audience some video examples: building facades visually distort and morph into faces; public squares transform into pulsating spaces of light and sound, all controlled by simple devices like a public microphone or a joystick.

Using MadMapping — AutoCad-like building-design software that overlays the spaces on actual architecture — Wunschel and Schneider are innovators in the growing artform that turns hard surfaces into an embodied experience that has become a signature European urban festival experience.

Picture
Tonight Vancouverites will get a (free) taste of all that at 10 p.m., behind Emily Carr’s digital media building on Great Northern Way, when the Paris team joins forces with some local artists as they premiere Live/Work, a 10-metre cube of scaffolding that promises to be a “manifestation of interdisciplinarity, collaboration and an exploration of the contemporary landscape in relation to changing cultural and economic conditions.” Gotta love that artspeak. (Translation: A bombardment of lights and sound that will have the locals yelling, “Woooooo!”)

Hypercube is all part of the New Forms Festival 13.

Below: Two videos of distinctive, immersive physical experience of sound, light: A voice-activated setup allows the public to animate a building in Lyons, France. At bottom:  Transporting a dance club crowd through light and sound.
Comments

How not to pass out While Painting

9/6/2013

Comments

 
I could never understand why the armies of construction workers in this town would head for the Wendy’s or Burger King over a nutritious, fresh soup and salad next door. That was before I started spending long days under a respirator spraypainting in a cavern of concrete. When you’re involved in continuous sweaty, labourious activity, you’re not about to squander your one meal break waiting around for little bits of things to be arranged on a plate. This is no time to pick your way through a Whole Foods buffet bar, then line up at the cashier. You need to mainline those big fatty, sugary, caffeinated calories. Now.
Picture
A daunting, dark space takes on new life as a geometric colour field.
PictureMy purple man's business shirt has it all covered.
This is just one of the ah-ha moments that came to me during Phase I of the Parkade Painting project. Another big learning moment: carbon dioxide can wreak havoc with the logic centre of the brain, which in retrospect explains a lot of stoopid mistakes I made in the process of turning a wide expanse of concrete into a geometric colour field, like forgetting pattern choices and mixing up colours. Turns out that carbon dioxide builds up in the mask over time so you — and by you I mean me here — have to come up for real, non-fumey air at least once an hour.  I should have solicited advice from my encaustic-painting friends on this one before I got to the point where I was staggering around, forgetting the whole purpose of spending these last summery days in carcinogenic clouds of propellants and other nasty chemicals I can’t pronounce.

I like the risk of taking on a daunting project of a scale not normally tackled by a five-foot-two female but I’m risk-averse to exposing myself to a toxic environment so except for the no-breaks slip-up, I’m serious about suiting up for the task at hand. In this case that means protecting the largest organ — the skin — from exposure. Here, the Smart Girl’s Guide to Spraypainting in the Summertime:

1. Cover it all. If you’re of my stature you will search but never find Carhartt coveralls that fit your female frame, and Home Depot’s one-size-fits-all disposable painting jumpsuit just doesn’t have the majority of the people who do home painting (women) in mind. You will have to improvise. I wear a (particular) man’s business shirt over a workout top and loose cotton pants. The cuffs and top-buttoned collar has it covered, plus the breast pocket is perfect for storing gloves. All this goes over light cotton pants and runners.

PictureOne day of painting shows particulate trapped in a cartridge filter.

2. Speaking of gloves, I like the snug, waterproof Watson gardening gloves, because you won’t find painting gloves in your size at Home Depot. And disposable gloves and painter's tape are a bad mix.

3. Respirator and Safety glasses. These should be viewed as a two-part must-have unit. Silly dust masks are for chumps. We like our brain cells. If you can smell the chemicals through the mask, it’s not working, but that’s not to stay that the cartridge is not done. It’s hard to predict when a cartridge should be replaced but I switch out the filter pads as soon as they look less than pristine and change the cartridges as I'm psyching myself up to embark on one of these harebrained art schemes, which is about once a year.

4. Head scarf. I tie it snug and low around the forehead so it meets the top of my glasses. Spraypainted hair is nasty.

Now onto Phase II....

Picture
Only artist-quality spraypaint can handle the pits and scars of industrial concrete walls.
Picture
Comments

    RSS Feed

    browse by topic:

    All
    Abstract Painting
    Activism
    Additive
    Aesthetics
    AgentC Gallery
    Alison Woodward
    Aluminum
    Anxiety
    Appropriation
    Architecture
    Arleigh Wood
    Art
    Art Business
    Art Discourse
    Art History
    Artist
    Artist Residency
    Artist Statement
    Artist Talk
    Art Marketing
    Art Quilt
    Art School
    Art Show
    Art Spiegelman
    Assemblage
    Author
    Banksy
    Bauhaus
    Beauty
    Betsy Greer
    Big Data
    Billy Patko
    Blogs
    Blog Tour
    Bob Krieger
    Body Of Work
    Books
    Boro
    Braided Rug
    Braiding
    Bruce MacKinnon
    Bruce Mau
    Building
    Bull Kelp
    Business
    Buttons
    Carlyn Yandle
    Caroline Eriksson
    Cartoon
    Ceca Georgieva
    Challenge
    Children
    Christmas
    Cindy Sherman
    Cirque Du Soleil
    City As Site
    City Planning
    Cityspace Gallery
    Clay Yandle
    Climate Change
    Cluster
    Cob
    Cob Oven
    Collaboration
    Collage
    Colonialism
    Color
    Colour
    Commission
    Community
    Community Building
    Composition
    Conceptual Art
    Conceptual Craft
    Connie Sabo
    Construction
    Coronavirus
    Cover
    Cover-19
    Covid
    Craft
    Craft Blogs
    Craftivism
    Crafts
    Craftsmanship
    Creative Process
    Critique
    Crochet
    Cross-stitch
    Cultural Hub
    Cultural Studies
    Culture
    Culture Jamming
    Culturejammingc9d75664fd
    Current Conditions
    Cycling
    Dafen Village
    Dallas-duobaitis
    Dance
    Data-graphic
    Data-graphic
    Dear Human
    Deep Craft
    Denim
    Denyse Thomasos
    Design
    Discomforter
    Display
    Distraction
    Distracts
    DIY
    Doilies
    Doily
    Domestic
    Domestic Interventions
    Douglas-coupland
    Draw Down
    Drawing
    DSquared2
    Dude-chilling-park
    Dyeing
    Eastend
    Eastside Culture Crawl
    ECUAD
    ECUAD MFA
    Editorial
    Edward Burtynsky
    Eggbeater Creative
    Embellishment
    Embroidery
    Emily Blincoe
    Emily Carr Cozy
    Emily Carr University
    Environment
    Environmental Art
    Exhibit
    Exhibition
    Experimentation
    Exploration
    Expression
    Fabric
    Fabricating
    Facebook
    Failure
    Fashion
    Feminist
    Feminist Art
    Festival
    Fiber
    Fiber Artist
    Fiber Arts
    Fibre
    Fibre Arts
    Film
    First Saturday Open Studios
    Flo
    Flow
    Foraging
    Form
    Foundlings
    Found Materials
    Found Objects
    Fractal
    Free Store
    Fuzzy Logic
    Gallery
    Gallery-row
    Garden
    Garment
    Gentrification
    Gill Benzion
    Gingerbread
    Globalization
    Glue
    Grad 2020
    Graffiti
    Granny Square
    Granville-island
    Green Space
    Grid
    Guanajuato
    Guerrilla Art
    Guerrilla Girls
    Halloween
    Handmaking
    Hand Stitching
    Hand-stitching
    Handwork
    Hashtags
    Haywood Bandstand
    Healing
    Health
    Hearth
    Hideki-kuwajima
    Homelessness
    Hot Art Wet City
    Hybrid Thinking
    Ian Reid
    Ian Wallace
    Ideas
    Identity
    Images
    Incomplete Manifesto For Growth
    Industrial Design
    Industry
    Innovation
    Inspiration
    Instagram
    Installation
    Intervention
    Invention
    Irena Werning
    Janet Wang
    Jeans
    Jeff Wilson
    Joel Bakan
    Joseph Beuys
    Joseph-wu
    Journalism
    Joyful Making In Perilous Times
    Judith Scott
    Kim Piper Werker
    Kimsooja
    Knitting
    Knots
    Knotting
    Kyoto
    Labor
    Labour
    Landon Mackenzie
    Landscape
    Leanne Prain
    Lecture
    Lighthouse
    Liz Magor
    Log Cabin
    Logo Sweater
    LOoW
    Lost Painting
    Lumiere Festival
    Lynda Barry
    Macrame
    Maker
    Making
    Malcolm Gladwell
    Male Gaze
    Maquette
    Marie Kondo
    Marketing
    Mark Lewis
    Martha Rosler
    Masks
    Material Exploration
    Mathematics
    Maya
    Media
    Meditative
    Metalworker
    MFA
    Mister Rogers
    Mixed Media
    Monique Motut-Firth
    Monte Clark
    Mosaic
    Motivation
    Mt. Pleasant Community Centre
    Mud Girls
    Mural
    Natalie Jeremijenko
    Nature
    Needlework
    Neon
    Net
    Network
    Networking
    Neuroplasticity
    New Forms Festival
    Newspapers
    Nick Cave
    Noah Goodis
    North Vancouver
    Omer Arbel
    Online Talk
    Openings
    Organization
    Origami
    #overthinking
    Paint
    Painting
    Pandemic
    Paper
    Paper Sculpture
    Parkade Quilt
    Patriarchy
    Pattern
    Pechakucha
    Pecha Kucha
    Perception
    Performance
    Performance Art
    Photography
    Playing
    Political Art
    Polly-apfelbaum
    Pompidou
    Poodle
    Port Coquitlam
    Portrait
    Process
    Production
    Profession
    Project
    Protest
    Psychedelic
    Public Art
    Qr Code
    Quilt
    Quilt Block
    Quilting
    Rachael Ashe
    Rachel Lafo
    Ravages
    Raw Materials
    Rebar
    Recycle
    Research
    Residency
    Resurge
    Retreat
    Rhonda Weppler
    Richard-tetrault
    Richmond Art Gallery
    Right Brain
    Rondle-west
    Rug
    Ryan-mcelhinney
    Safe Supply
    Safety
    Sarah-gee-miller
    Sashiko
    Saskatchewan
    Scaffolds
    Scale
    Scraps
    Sculpture
    Seaweed
    Semiotics
    Sewing
    Sharon Kallis
    Shawn Hunt
    Shigeru Ban
    Sketchup
    Slow Craft
    Smocking
    Social Engagement
    Social-engagement
    Social History
    Social Justice
    Social Media
    Soft Sculpture
    South-granville
    Space Craft
    Spore
    Stitching
    Storage
    Street Art
    Studio
    Styrophobe
    Subversive Stitch
    Surrealism
    Surrey
    Tagging
    Talking Art
    Tapestry
    Tattoo
    Technology
    Terry Fox Theatre
    Text
    Textile
    Thrift Stores
    TJ Watt
    TO DO
    Tools
    Toronto Design Offsite
    Toybits
    Trash
    Trash Art
    Trevor Mahovsky
    Typography
    Tyvek
    Unbridled
    Unfixtures
    Upcycling
    Urban Design
    Use Object
    Use Objects
    Utility
    Vancouver
    Vancouver Art Gallery
    Vancouver International Airport
    Video
    Video Tour
    Visual Field
    Visual-field
    Visual Language
    Wallace Stegner House
    Wall Hanging
    Waterwork
    Weaving
    William Morris
    Wood
    Wool
    Work Wraps
    Wrap I
    Wrap II
    Writing
    Yarn Bombing
    YVR
    Zaha Hadid
    Zendoodle
    Zero Waste Art
    Zero-waste Art

    Archives

    August 2022
    June 2022
    November 2021
    April 2021
    September 2020
    April 2020
    December 2019
    November 2019
    September 2019
    August 2019
    July 2019
    June 2019
    April 2019
    November 2018
    July 2018
    May 2018
    November 2017
    September 2017
    June 2017
    April 2017
    March 2017
    February 2017
    December 2016
    November 2016
    September 2016
    July 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    June 2011
    May 2011
    April 2011
    March 2011

Powered by Create your own unique website with customizable templates.
Picture