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A childhood of risky business inspires

7/5/2013

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My nephew is about to launch. Freshly freed from high school, he'll soon be flying high at the National Circus School in Montreal.

If there is one kid who would run away and join the circus, Domenic is it. Long before he pushed the physical limits of the human vessel, long before there were even any apparent muscles on his skinny little frame, he was destined for something different. His mind has always been a playground, his outlook wide-eyed and sunny. From him I’ve learned that play is not just fun but work, and that devotional practice comes in many forms.

He has easily devoted what Malcolm Gladwell has suggested is the 10,000 hours it takes to master a skill, and his motivation comes from his own wonderment. He spent his childhood wondering how high and how long and playing with the limits of muscle and bone. He can't wait to carry on the body experiment among others in the same pursuit from around the world.

“Experimenting with your own life is the most fundamental medium we have,” says scientist/environmental artist Natalie Jeremijenko, whose ‘design systems’ include the Mussel Choir: sensors connected to bivalves that can inform humans of the health of the East River through sound. 

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Jeremijenko on her 'wing swing'. Image from New York TImes Magazine
This is why I'm compelled at this time of year to grab random high school graduates by the arm and say: Go away! Go see the rest of the world! This is not everything! Things are not everything! Don't let comfort hold you back!

“Inconvenience yourself” is the prevailing take-away in The Blue Zone, Dan Buettner’s book of studies in longevity throughout the world, and it’s a good first step toward getting out of emotional and physical ruts and jump-starting experimentation. Bus instead of car. Paddle instead of cruise. Make instead of buy. Outdoors instead of indoors. All these little decisions of inconvenience, these tiny risks to our comfort, lead to new paths and new outlooks. (One routine-breaking idea: taking in one of the free nightly Bollywood, Bhangra and hip-hop yoga classes or the Indian Summer in the Park as part of the Indian Summer Festival of Arts, Ideas & Diversity, on now through July 13 in downtown Vancouver. See promo video below).

I think about the many, small social and physical tests my amazing nephew took on that brought him to where he is now: fierce, if a little afraid — just where he likes to be.

I am inspired.
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Creative collaboration takes physical feats to new heights

1/4/2013

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I got the gift of a visual feast for Christmas: a date to see some performance-art mastery by Cirque du Soleil. And it was no less a sensory experience than the first show I saw when Alegria debuted in Vancouver in '03.

Amaluna also has an operatic storyline but I looked past that to better focus on the abstract. Narratives can be distracting, in the same way that lyrics in music distract me when I'm in the middle of a creative process. Instead, I let the spectacle of sound, light, and unimaginable feats of the human form wash over me. 

I was close enough to the stage to feel the velocity of Olympics-level gymnasts in fiery costumes swinging through uneven bars while others scrambled below and pushed them into the air, in a kind of choreographed chaos in the dark void, set to a hard-rock soundscape and mesmerizing light show.

This is my kind of Olympics. All of the technical ability but none of the brutal, singular competition and nationalism. No instant-replayed technical errors, no ranking, no tears, but instead a slightly psychedelic viewer experience of human physical and creative potential.
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Acrobatic coach Stacy Clark told thestar.com that she challenges the highly trained gymnasts to find ways "to strip away some of the intense discipline they had as a gymnast and turn it into a much more expressive experience."

I could see it on the faces of the mostly female cast from as far as China, Japan and Russia that they were fully engaged. Some of those talents were not found in elite training schools but  in the world's most egalitarian performance space: YouTube. 

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Compared to Cirque, Olympics gymnastics — and the whole Games — feel too hard-core, too political, even fascist. 

But I have to admit I'm a little puffed up with nationalistic pride myself as this wildly successful French-Canadian company displays new possibilities for showing off what bodies can do in creative collaboration.


A taste of Amaluna:
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