Where it all began: The Mud Girls retreat that sowed the seed for new/old building modes. Playing with mainly found materials, and whenever possible with other people, offers me the chance to learn about properties and potential of those throw-away materials as well as about collaborative problem-solving and new/old modes of social interaction. I try not to overthink that link between materials and the inherent social nature of our species but just go with the urge to make the connections.
Working with cob – natural concrete that uses clay, sand and straw – provides a glimpse of an alternative to the inevitable glass-tower existence, the reliance on fossil fuels and the hazardous extraction and distribution process.
Working with cob – natural concrete that uses clay, sand and straw – provides a glimpse of an alternative to the inevitable glass-tower existence, the reliance on fossil fuels and the hazardous extraction and distribution process.
There’s nothing like bunker fuel hitting the local beaches or the growing Pacific trash vortex not so far away from those freighters to inspire alternatives. The solutions to these problems require alternative thinking, which depends on playing with ideas.
Excavating as exercise: Digging out a 60-inch diameter, 18-inch-deep hole. (Carlyn Yandle photo) I got that first glimpse in a two-week cob-house-building workshop in the forest atop a Gulf Island, just days after I closed the door on my office job at a city newspaper. It was a tough adjustment, moving from a hierarchical corporate media culture to a loose, collaborative course-movement.
By day I hauled boulders and danced the sand into the clay with the Mud Girls, the kind of people I had never cross paths with in a Vancouver editorial department. By night I slept alone in a tent on a mossy outcrop.
By day I hauled boulders and danced the sand into the clay with the Mud Girls, the kind of people I had never cross paths with in a Vancouver editorial department. By night I slept alone in a tent on a mossy outcrop.
Drainage is essential for natural clay-building on the Wet Coast. (Carlyn Yandle photo) How was it? my friends asked after I returned. "Wild" was the only way I could describe this foreign experience.
Ten years later, I’ve been aching to dig my hands back into that feeling of the possibility of building something out of nothing, with others, testing our physical strength and forging connections with others who have a line on a local source for our materials.
The project is a cob oven, on a Gulf Island. The goal is to bake a pizza by the end of the summer.
Phase 1 is complete: creating a solid foundation for the oven. This is essential for protecting the cob from the Wet Coast climate.
Ten years later, I’ve been aching to dig my hands back into that feeling of the possibility of building something out of nothing, with others, testing our physical strength and forging connections with others who have a line on a local source for our materials.
The project is a cob oven, on a Gulf Island. The goal is to bake a pizza by the end of the summer.
Phase 1 is complete: creating a solid foundation for the oven. This is essential for protecting the cob from the Wet Coast climate.
Teach your children well: Hands-on learning that building materials are as close as under foot. (Carlyn Yandle photo) The first two days were all about excavation. I hacked through thick salal root and hauled out bucket after bucket of compressed silt aggregate. The kids were eager to get into the act of shoveling the dirt onto the screen, then pouring water through the screen until just the rocks remained. I laid down some found French drain then back-filled with the gravel and stones until the site was pretty much level.
Next up: Building a dry-stack stone foundation – with a little help from my friends. Stay tuned.
Next up: Building a dry-stack stone foundation – with a little help from my friends. Stay tuned.
Embedded labour: A solid foundation for the next phase. (Carlyn Yandle photo)
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