carlyn yandle
  • about
  • the creative process
  • crafted objects
  • public art
  • painting
  • exhibitions
  • contact

Home isn't someone else's investment unit

9/17/2024

 
New modular building blocks create a visual for more humane density
​

I blame my dream-home fantasies on that OG influencer Martha Stewart.
​
When the thick, slick Martha Stewart Living was queen of the magazine racks I was there for the Crafts: the rustic doorstop animals made of French linen tea towels; the velvet lavender sachets for drawers and for gifts. Soon I was sucked into the glossy paper vortex of step-by-step tableaux of Martha — in cropped jeans and crisp Oxford shirt — engaged in various Good Things like washing her paned windows using vinegar from a glass sprayer or sweeping her freshly-painted porch with a birch-twig broom. I was led to believe that people who weren’t already trained pastry chefs or architects could create the Halloween gingerbread haunted mansion, and that one day I too would have a fireplace mantle to display handmade snowglobes nestled between mason jars of glittered cedar boughs dangling with tiny crocheted snowflakes. Never mind that my wreath of pinecones tied with tartan ribbon and tacked to my apartment door wasn’t adding any rustic Christmas vibes to the purple-and-teal common hallways. This was all temporary.
Picture
By the time Martha finished doing her five months for fraud, I was half way through 20 years in the same apartment, engaged in the more practical project of trying to live a creative life in a small space (sprawling in comparison to the majority of new builds in Vancouver). I ended up writing a weekly newspaper column on the subject and even partnered in a home re-vamp service that funded four years of art school. Dwelling design remains one of my Special Topics so when I heard first thing this morning (at the time of this writing) that the provincial government had released some free modular plans for small-scale multi-unit housing, I jumped onto the site for a look-see.
Picture
Streetscape concept of multi-unit integration with single-family homes, Standardized Housing Catalogue, BC Ministry of Housing
Because when it comes to affordable housing in this town, things can’t get worse (barring, of course, the imminent earthquake a.k.a. “The Big One”). According to one report, last year Vancouver’s median home price was more than 12 times the median household income, making it the third most expensive housing market in 94 cities around the world. Many of the investment units in Vancouver’s soaring glass towers are now languishing on the market, because even if they were affordable, “home” does not conjure up visions of 35 floors of stacked 500-square-foot rectangles with one wall for windows and no outdoor space.
​

The customizable building blocks are an attempt to provide an option to this modern-day warehousing of humans, a step toward addressing the missing middle between standalone houses and condo towers. They were developed following recent zoning changes that allow three or four units on the standard city lot, to the horrors of NIMBY owners in those single-family-home neighbourhoods and to cheers from developers. To curb design and construction costs and expedite the permitting process, the limited options of modular blocks are basic. One shows two bedrooms with a shared bathroom. The common-area block shows a surface that is both dining table and kitchen island with sink, with the rest of the kitchen along one wall. No balconies are indicated and there are not a lot of windows. Every unit shows stairs.
Picture
Placement options on various lot sizes, from the Standardized Housing Catalogue, BC Ministry of Housing
Picture
Common space options, Standardized Housing Catalogue, BC Ministry of Housing
Picture
Multi-family dwellings on a standard city lot, Standardized Housing Catalogue
Picture
On the upside, they are connected to the earth and integrate into established communities. They open up the possibility of having a baby, aging in place, living with or beside other relatives or families of choice. They are the kind of home that might incline a crafty type to collect pinecones from the mature trees in those longstanding neighbourhoods and glue-gun a wreath to hang on the front door. 
​
It’s a Good Thing.

Memorable designs discovered on road trip

8/14/2014

Comments

 
PictureCarlyn Yandle photo
We were a bit of a spectacle, using survivalist technology outside our tent wedged between the humming, air-conditioned RVs,  but we were aching to use our car-camping trip to finally test the BioLite.

And it was good. (See 26-second YouTube review, below.)

The Sputnik-esque stove converts the energy of any post-disaster carbon-based material  — paper, leaves, cardboard, grass, wood shards — into a USB-port power source while boiling water in minutes. Yes, you can have your coffee and call home too, thanks to an  ingenious copper conductor-fan system that kicks in when heated and then turbo-charges the tiny fire into a flame as good as if you're cooking with gas.

The brilliance of this design was not lost on residents of Lower Manhattan who were plunged into cold, damp darkness for days after Hurricane Sandy struck in October 2012. 

The young Brooklyn inventors rushed  to the rescue with stoves for stranded people who needed a hot drink, social interaction, a way to call family. Emergency services didn't take too kindly to open fires during the chaos and so the BioLites were banned.

We first spotted the gizmo a month after the area was ravaged, in a New York Times article and made it our Christmas present. Good design endures; now Mountain Equipment Co-op carries it.
PictureCarlyn Yandle photo
And bad design disappears, or makes the bad design lists. That's why you don't see lawn darts anymore. But old, ingenious design isn't always readily apparent until you really feel it, like the moment we walked into a century-old log cabin and suddenly forgot about the blistering South Saskatchewan heat. Thick walls of almost petrified dovetailed wood and mortar were doing the same trick as energy-squandering air conditioners back at the campsite, except without the drone that was keeping us awake at night.

The rough-hewn angled dovetail joinery, used in various forms in traditional building around the world, succeeds in all aspects of good design. This settler cabin used local, renewable materials, and simple tools and easily-learned methods. The undeniable beauty of those checked cross-sections of silvered lumber, enhanced by age and the elements, is made possible through the collective creative process.

PictureCarlyn Yandle photo
Good design answers a need. And during a heatwave, that need is drinking water. We spent much of our trip looking for a place to fill up our water bottles but it seems that in the rural areas at least, most people still buy the 48-pack of single-use water bottles at the ubiquitous Co-op stores. There oughta be a law to provide ample drinking water in public areas, but I digress.

This beauty (right) in the Saskatoon airport departure lounge does the trick. A motion sensor triggers the water to flow while a counter shows how many plastic bottles were not used in the process. 



PictureCarlyn Yandle photo
At least the young trees were getting hydrated; in Moose Jaw, a bagged water system seemed to be winning the war against the elements. The surrounding corten steel framework serves as a rain-friendly grill featuring historically significant images of bison/buffalo, trunk protection as the tree grows, and bike lock-up. What's not to love?

PictureCarlyn Yandle photo
The one deadly design that haunts me still is the private automobile, a lethal projectile from the point of view of the native large grasshoppers, butterflies and dragonflies (and at least one starling and one small rodent). We tried to avoid looking at the critter mash on the grill at the end of each day but we have their blood on our hands. Their little corpses are reminders that the car is not designed with nature in mind. Next time, bike camping, where RVs fear to tread.



Comments

craftsmanship at the core of paper art show

4/4/2014

Comments

 
PictureClockwise from top: Connie Sabo, Rachael Ashe and Sarah Gee Miller with their respective works. (Carlyn Yandle photos)


Sarah Gee Miller says she's pretty handy. That's the understatement of the evening. Her paper 'paintings' are not only visually stunning and conceptually rich but they resonate with the dedication of a serious craftsman.

Funny how the word 'crafts' only gets the serious respect it deserves when the 'man' is attached to it. Suddenly the mind moves from, say, knitting or embroidering to, say, boat-building or blacksmithing. Here at the Voices from Another Room show at the Hot Art Wet City gallery, the craftsmanship is here in the medium of paper.

It's that juxtaposition between the humble, ephemeral material and the heavy-duty skill and commitment of craftsmanship that makes this show of five artists' work so compelling. The results of that individual devotional patience, determination, repetition is on view. And I can attest that there's also frustration, physical exertion, second-guessing and the flops. You don't get to this calibre of work without enduring a few hard battles.

The conceptual elements of the pieces in this group show may reference particular art genres (or not) but the methods are perhaps unconsciously rooted in this region that is built on a New World culture of self-sufficiency, innovation and handwork, in a medium fitting for this corner of the world that was built in large part on the pulp and paper industry. Location, whether in art or real estate, is everything.

The beauty of the group show that has that one connecting thread — or in this case, wood fibre — is in how far that thread can be stretched, from Miller's totemic paintings to Sabo's heavy net-like installations of twisted newspaper, to Ashe's filigree screens, to Alison Woodward's three-dimensional twisted fairytale vignettes and Joseph Wu's origami sculptures. But beyond the medium there's the other connecting thread of craftsmanship, which Wu articulates as both a scientific and artistic exploration.

This is a show of skill that is developed through the often meditative repetitive act of carving or twisting or folding, but the art is in the repetition of those expanding skills. It is how Sabo's net works have led her to ideas about laminating newspaper blocks, or how Miller's paper paintings grew out of her own drawing machine.

"The open relation between problem solving and problem finding... builds and expands skills," according to author Richard Sennett in The Craftsman. "But this can't be a one-off event. Skill opens up in this way only because the rhythm of solving and opening up occurs again and again."

Voices from Another Room: 5 Artists Explore Paper continues to April 25, Wed-Sat noon to 5 p.m. at 2206 Main (at 6th Ave.), Vancouver.






Comments

Out of catastrophe comes creative thinking

7/12/2013

Comments

 
PicturePretty, and pretty alarming stripes show future water levels.
All the recent natural and unnatural disasters in this country -- city-paralyzing changing-climate-induced floods in Calgary and then Toronto, an oil-tanker train disaster that derailed an entire Quebec town —  has left a lot of us here on the West Coast uneasy.

There’s an eerie calm here, a feeling like we may be next, despite the interception of a Canada Day plot of lethal destruction in our provincial capital. The regular warnings about the impending Big One is unnerving; even a walk on the seawall is a reminder that this will all be underwater, thanks to the 2012 CIty of Vancouver-commissioned public artwork by Rhonda Weppler and Trevor Mahovsky. The deceptively attractive blue stripes on the Cambie bridge pilings that is A False Creek serve as a shocking visual of what scientists are saying is the inevitable rise in sea levels due to global warming. We live in a safe corner of the world, but now we're more likely to include the word 'still' in that statement.

PictureAlaskan Tentlady's selfie
I get that it's important for art to alert the general public about the coming doom, but my kneejerk reaction is to shift my creative energy into survivalist mode. I seek out the handmakers and the innovators who are making plans for the worst and seeking out ways to move forward. It distracts me from thinking about my mother watching her near-sea-level living-room wash away in a storm.

I seek and find them on places like treehugger.com and instructables.com, where Wasillia, Alaska handygal Alaskan Tentlady (real name not posted) shares her step-by-step directions for making a Gertee (Mongolian for 'relaxing at home', as it turns out), a hand-built portable home for cold weather, made out of recycled materials. (Lately she's been working on adapting this ancient and universally-used dwelling to house homeless teenagers in her region.)

Picture
Utility is a great foil for futility and this keeps bringing me back to tracking these innovators' creative process. Their models are little labours of love made when their design was still in the dream phase, like Alaska TentLady's 1:12 scale model of her alternative-dream home.

Vancouver Islanders Gord and Ann Baird also share their model of a cob house and living roof in their ultra-green cob house (below) at their blog that defies living with a heavy reliance on fossil fuels. The maquettes are exquisite sculptural works in themselves, made of pure heart, with no irony aftertaste.

Picture
Some high-end gallery curator should hunt down all the mini alternate-dream homes that their makers so generously share with the online world and put on one kick-ass show of hope.

Imagine the opening night: the cross-pollination of ideas and process, all these non-conformists who might balk at the label of artist collaborating with other likeminded people who are not simply awaiting the apocalypse but picturing the possibilities.




Comments

That's one mother of another need met

6/7/2013

Comments

 
Picture
In case you want to know, this is a picture of what is called beaching gear  — at least in Prince Rupert, B.C.

It's the kind of passing sight that makes a city girl demand  that the car we're in be stopped and reversed. Now. Because even though I had no idea what I was looking at, I knew that this was another fine example of one of my favourite truisms, "Necessity is the mother of invention." Photos must be snapped so someone who knows about these things could explain.

I found just the guy, a cousin-in-law. He knew the owner of this curious object well. (It's a small town.) "Oh, that's in Seal Cove," he said. His buddy needed to be able to tow his... (I want to say seaplane here, but that might not be right)... out of the harbour, and this Caddy, with its front-wheel drive, was just the jalopy for the job. But how does it stay up, with only two wheels?, I asked (and then again, not quite getting it). It was finally established that some metal bits forged to the front end provide enough counter-weight for the thing to balance on two wheels. An engineering feat!

But what I really liked about this innovation was the extra effort the inventor made to make the beaching gear more, uh, seemly, I guess: the retrofitted tail lights; the back-end paint job that tied it all together. For some reason it reminded me of the stump of a leg; you know some vital working parts are missing but it's heeled over nicely.

Picture
Objects like these straddle that satisfying space between utility and art. Here in Seal Cove, it was pretty much overlooked, but plunk it down at MOMA and now we're in a conversation with more legs than this beaching gear's wheels: artist intention, context, use value versus art value, etc.

There is a certain soulfulness in these intriguing/peculiar objects that squeeze into existence between the tight parameters of lack of money or access and a pressing need. This school bus re-purposed as an underground... (tornado shelter? food cellar?) also packs a visual punch.

I'm intrigued by the happy accidents that can turn a necessary invention into an art object or an artwork into a functional object after the fact. On a grand scale it leads to some of the most enduring, visually interesting cities, like the narrow labyrinth of streets of Tokyo that trace terraced rice fields or the watery thoroughfares of Venice. This slow, organic development of an urban landscape is at odds with the speculative profit-driven mega developments currently rapidly changing my city's landscape.

But our need to negotiate these monolithic structures will result, over time, in inventions that contribute to an increasingly vibrant culture. We get glimpses of that with every passing pedaller working for Shift: Urban Cargo Delivery here in Vancouver, or as far as Bangkok's streets teeming with ever-advancing Tuk-tuks.

Innovating out of necessity creates human connections, from one guy's beaching gear in a sleepy cove outside Prince Rupert, B.C. to corporate shifts on the streets of Paris. (Take a video ride-along below:)
Picture
Image from vancouverfoundationawards.ca
Picture
Image found posted on www.modderpoel.nl
Comments
    Cross-posted at
    carlynyandle.substack.com

    browse by topic:

    All
    Abject
    Abstract
    Abstract Embroidery
    Abstraction
    Abstract Painting
    Acrylic
    Activism
    Additive
    Aesthetics
    Agency
    AgentC Gallery
    Aging
    Alison Woodward
    Aluminum
    Anxiety
    Appropriation
    Arcade Fire
    Architecture
    Arleigh Wood
    Art
    Art Activism
    Art Blog
    Art Business
    Art Discourse
    Art History
    Artifact
    Artist
    Artist Residency
    Artist Statement
    Artist Talk
    Art Marketing
    Art Quilt
    Arts And Crafts
    Art School
    Art Show
    Art Spiegelman
    Assemblage
    Author
    Banksy
    Bauhaus
    Beauty
    Betsy Greer
    Big Data
    Billy Patko
    Binding
    Blogs
    Blog Tour
    Bob Krieger
    Body Of Work
    Books
    Boro
    Braided Rug
    Braiding
    Bruce MacKinnon
    Bruce Mau
    Building
    Bull Kelp
    Burlap
    Business
    Buttons
    Carlyn Yandle
    Caroline Eriksson
    Cartoon
    Ceca Georgieva
    Challenge
    Charley Yandle
    Children
    Christmas
    Cindy Sherman
    Circular Thinking
    Cirque Du Soleil
    City As Site
    City Planning
    Cityspace Gallery
    Clay Yandle
    Climate Change
    Cluster
    Cob
    Cob Oven
    Collaboration
    Collage
    Colonialism
    Color
    Colour
    Commission
    Community
    Community Building
    Composition
    Conceptual Art
    Conceptual Craft
    Connection
    Connie Sabo
    Construction
    Coronavirus
    Cosplay
    Costume
    Counter Culture
    Counter-culture
    Cover
    Cover-19
    Covid
    Craft
    Craft Blogs
    Craft Camp
    Craftivism
    Crafts
    Craftsmanship
    Creative Process
    Critique
    Crochet
    Cross-stitch
    Cultural Hub
    Cultural Studies
    Culture
    Culture Jamming
    Culturejammingc9d75664fd
    Current Conditions
    Cycling
    Dafen Village
    Dallas-duobaitis
    Dance
    Data-graphic
    Data-graphic
    David Weir
    Dear Human
    Decorations
    Deep Craft
    Denim
    Denyse Thomasos
    Design
    Digital Art
    Discomforter
    Display
    Dissent
    Distraction
    Distracts
    DIY
    Doilies
    Doily
    Domestic
    Domestic Interventions
    Douglas-coupland
    Draw Down
    Drawing
    Dressed
    DSquared2
    Dude-chilling-park
    Dyeing
    Dystopia
    Eastend
    Eastside Culture Crawl
    ECUAD
    ECUAD MFA
    Editorial
    Edward Burtynsky
    Eggbeater Creative
    Embellishment
    Embroidery
    Emily Blincoe
    Emily Carr Cozy
    Emily Carr University
    Entanglements
    Environment
    Environmental Art
    Exhibit
    Exhibition
    Expanded Painting
    Experimentation
    Exploration
    Expression
    Fabric
    Fabricating
    Fabrication
    Facebook
    Failure
    Fashion
    Fashion Revolution
    Fast Fashion
    Feminisim
    Feminist
    Feminist Art
    Festival
    Fiber
    Fiber Artist
    Fiber Arts
    Fibre
    Fibre Arts
    Film
    First Saturday Open Studios
    Flo
    Flow
    Forage
    Foraging
    Form
    Form And Function
    Foundlings
    Found Materials
    Found Objects
    Fractal
    Free Store
    Fuckwit
    Fuzzy Logic
    Gallery
    Gallery-row
    Garden
    Gardening
    Garment
    Gathering
    Gentrification
    Geometric Art
    Gill Benzion
    Gingerbread
    Globalization
    Glue
    Goblin Core
    Grad 2020
    Graffiti
    Grannycore
    Granny Square
    Granville-island
    Green Space
    Grid
    Grief
    Guanajuato
    Guerrilla Art
    Guerrilla Girls
    Halloween
    Handmade
    Handmaking
    Hand Stitching
    Hand-stitching
    Handwork
    Hashtags
    Haywood Bandstand
    Healing
    Health
    Hearth
    Heirloom
    Hideki-kuwajima
    Homelessness
    Homemade
    Hot Art Wet City
    Housing
    Hybrid Thinking
    Ian Reid
    Ian Wallace
    Ideas
    Identity
    Images
    Imagination
    Immersive Art
    Improvisation
    Incomplete Manifesto For Growth
    Industrial Design
    Industry
    Innovation
    Inspiration
    Instagram
    Installation
    Installation Art
    Intervention
    Intrusive Thoughts
    Invention
    Irena Werning
    Ironing
    Janet Wang
    Jeans
    Jeff Wilson
    Joel Bakan
    Joseph Beuys
    Joseph-wu
    Journalism
    Joyful Making In Perilous Times
    Joyfulmakinginperiloustimes
    Judith Scott
    Kamala Harris
    Kids Art
    Kim Piper Werker
    Kimsooja
    Kintsugi
    Knitting
    Knots
    Knotting
    Kyoto
    Labor
    Labour
    LA Fires
    Landon Mackenzie
    Landscape
    Leanne Prain
    Lecture
    Lighthouse
    Linen
    Liz Magor
    Log Cabin
    Logo Sweater
    LOoW
    Lost Painting
    Lumiere Festival
    Lynda Barry
    Macrame
    Maker
    Making
    MakingIsConnecting
    Malcolm Gladwell
    Male Gaze
    Mapping
    Maquette
    Marie Kondo
    Marketing
    Mark Lewis
    Martha Rosler
    Martha Stewart
    Masks
    Material Exploration
    Mathematics
    Maya
    Media
    Meditation
    Meditative
    Mending
    Mend In Public Day
    Mental Health
    Metalworker
    MFA
    Mister Rogers
    Mixed Media
    Mobile Art Practice
    Monique Motut-Firth
    Monster
    Monte Clark
    Mosaic
    Motivation
    Mt. Pleasant Community Centre
    Mud Girls
    Mural
    Mushroom
    Mycelium
    Narrative
    Natalie Jeremijenko
    Nature
    Needlework
    Neon
    Net
    Network
    Networking
    Neuroplasticity
    New Forms Festival
    Newspapers
    Nick Cave
    Noah Goodis
    North Vancouver
    Obtrusive Thoughts
    Omer Arbel
    Online Talk
    Openings
    Organization
    Origami
    #overthinking
    Paint
    Painting
    Pandemic
    Paper
    Paper Sculpture
    Papier Mache
    Parkade Quilt
    Patchwork
    Patriarchy
    Pattern
    Pecha Kucha
    Pechakucha
    Perception
    Perfectionism
    Performance
    Performance Art
    Personalispolitical
    Photography
    Playing
    Political Art
    Political Satire
    Polly-apfelbaum
    Pompidou
    Poodle
    Port Coquitlam
    Portrait
    Practice
    Process
    Production
    Profession
    Project
    Protest
    Protest Art
    Psychedelic
    Public Art
    Pussy Hat
    Pussy-hat
    Qr Code
    Quilt
    Quilt Block
    Quilting
    Quilt Painting
    Rachael Ashe
    Rachel Lafo
    Ravages
    Raw Materials
    Rebar
    Recycle
    Recycling
    Reflection
    Reflektor
    Reimagine
    Renewal
    Repairing Is Caring
    RepairingIsCaring
    Research
    Residency
    Resistance
    Resurge
    Retreat
    Re-use
    Rhonda Weppler
    Richard-tetrault
    Richmond Art Gallery
    Right Brain
    Rondle-west
    Roses Against Violence
    Rote Activity
    Rug
    Ryan-mcelhinney
    Safe Supply
    Safety
    Sampler
    Sarah-gee-miller
    Sashiko
    Saskatchewan
    Scaffolds
    Scaffolds I
    Scale
    Scraps
    Sculpture
    Seasonal Decor
    Seattle Art Museum
    Seaweed
    Seismic Rug
    Semiotics
    Sewing
    SharingIsCaring
    Sharon Kallis
    Shawn Hunt
    Shigeru Ban
    Sketchup
    Slow Craft
    Smocking
    Social Art
    Socialart
    Social Distancing
    Social Distancing Hat
    Social Engagement
    Social-engagement
    Social History
    Social Justice
    Social Media
    Soft Sculpture
    South-granville
    Space Craft
    Spore
    Stitching
    Storage
    Street Art
    Studio
    Styrophobe
    Subversive Stitch
    Surrealism
    Surrey
    Tactical Frivolity
    Tactility
    Tagging
    Talking Art
    Tapestry
    Tattoo
    Teamlab
    Technology
    Terry Fox Theatre
    Text
    Textile
    Textile Art
    Textiles
    Thrifting
    Thrift Stores
    @tinypricksproject
    Tiny Pricks Project
    TJ Watt
    TO DO
    Tools
    Toronto Design Offsite
    Toybits
    Trash
    Trash Art
    Travel Art
    Trevor Mahovsky
    Trump
    Typography
    Tyvek
    Unbridled
    Unfixtures
    Upcycle
    Upcycling
    Urban Design
    Use Object
    Use Objects
    Utility
    Value Village
    Vancouver
    Vancouver Art Gallery
    Vancouver International Airport
    Video
    Video Tour
    Visual Field
    Visual-field
    Visual Language
    Wabi-sabi
    Wallace Stegner House
    Wall Hanging
    Waterwork
    Wearable Art
    Weaving
    William Morris
    Women's March
    Wood
    Wool
    Work Wraps
    Wrap I
    Wrap II
    Writing
    Xenobia Bailey
    Yarn Bombing
    YVR
    Zaha Hadid
    Zendoodle
    Zero Waste Art
    Zero-waste Art

    Archives

    May 2025
    April 2025
    March 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    October 2022
    August 2022
    June 2022
    November 2021
    April 2021
    September 2020
    April 2020
    December 2019
    November 2019
    September 2019
    August 2019
    July 2019
    June 2019
    April 2019
    November 2018
    July 2018
    May 2018
    November 2017
    September 2017
    June 2017
    April 2017
    March 2017
    February 2017
    December 2016
    November 2016
    September 2016
    July 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    June 2011
    May 2011
    April 2011
    March 2011

Powered by Create your own unique website with customizable templates.
Picture